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Trash
Trash is a multiband, multistage distortion processor featuring 48 distortion types; 85 box, cabinet, and speaker models; 36 filters; multiband compression; and 6 delay types. Oh, and it rocks.
Key Features
- Complete Amp, Cabinet and Stomp Box modeling tool
- Intuitive design, features not available anywhere else
- Multiband Compression, Distortion and Post-Filter
- Unmatched control over every detail of your sound
- Finally discover your signature sound
Rock the Boat
Trash brings creative control back to the artist. Define your
distortion sound with the Trash toolbox of effects or recreate the
warmth and depth of the classic distortion sounds. Reenergize and
inspire your playing with fresh, exciting tones. Plug in, rock out, get
Trashed!
iZotope Trash is the ultimate tool for selectively adding
distortion to your tracks. You’ll find just as much use for the subtler
tone enhancements to your other tracks—tape saturation for vocals,
overdrive for keyboards or a pinch of fuzz on a lead guitar, for
example. Chain pairs of distortions together or apply distortion
independently to individual frequency bands. Trash is compatible with
most Mac and PC hosts, supports 192kHz and employs 64-bit for great
fidelity regardless of how nasty you like your sound. Trash is the king
of distortion—and at a price that smokes the competition.
Multiband, Dual-Stage Distortion
Have you used all the “standard”
distortion plug-ins out there, only to find that you still end up with a
thin, canned and basically unrealistic sound? Do you wish you could
combine the ease of use of the “virtual stack” with the intelligent
control of studio effect processors? Trash combines multiband,
dual-stage distortion and an intuitive user interface to prove that all
distortions are not created equal. Add a little crunch in the midrange
without muddying the lows and over-hyping the highs, give the low end
some more thump without distorting the top. Go one step beyond standard
formats and layer not one, but two types of distortion on each of the
four available frequency bands.
Plug In and Rock Out
Lose a hundred pounds immediately with
the Trash diet: shed pounds of heavy guitar amps, cabinets, and stomp
boxes. Trash comes with more components than you could fit in a studio
not to mention carry. Trash’s low-latency design means you can take your
studio sound to the show. Get the subtle tones of a recorded sound in a
live performance. As a bonus, you can forget spending the first half
hour of sound check tweaking the knobs on your amp. All you have to do
is pull up your preset and go!
Turn It Up to 11
We'll give it to you straight: Trash is
a killer amp simulator. Now you can get that real overdriven amp sound
and still keep the peace with your neighbors. With 85 box models to
choose from, you'll never run out of options to get the sound you've
been searching for. In addition, we went beyond the normal boxes you
find in the music stores. You’ll find Telephones, Clock Radios, Sheet
Metal, Plexiglass tubes, Piano cabinets – and those are just a few of
the extra models included with Trash. To get the creative juices
flowing, we also created a new class of cabinets that don't exist in the
material world. When it comes to amp modeling, Trash can be as real or
unreal as you want.
Not Just For Guitar
Sure, Trash sounds great on guitars,
but with the flexibility of multiband distortion, why wouldn’t you want
to put everything else through it? Put it on a mixed drum track and all
of a sudden, you can put different distortion on the kick, snare and
hi-hat. Run your bass through it to get some more crunch without the
extra mud. Add it on top of an organ sound for a nice vintage feel.
Because Trash was built with many options beyond standard amp
simulation, you can really shape your sound and create your signature
tone in whatever you do. Check out the Trash Recipe Guides for more
specific ideas for your instrument sounds.
Beyond Distortion
In addition to amp modeling, Trash has
36 sweepable filters and 6 delays to choose from. The pre-filter lets
you add a tremolo, wah, or any number of more exotic effects to your
sound. The buzz module gives you 6 different types of delay lines
ranging from a clean, crisp digital delay to a gritty, organic tube
amplified tape delay. In addition to all the controls you would expect, a
“trash” slider lets you adjust the amount of distortion applied to the
delayed signal and an output filter lets you shape the wet signal even
more.
Usability Enhancements: Integrated Preset System
Your sounds are important to you. The
integrated preset system in Trash makes it easy to keep track of all the
variations and applications of your distortion effects. You can set up
folders of presets for individual recordings or instruments and pull
them up with a couple mouse clicks. Producers, engineers and sound
designers will find this especially useful, since you’re usually dealing
with literally hundreds of sounds and effects. Additionally, grab tons
of new effect setups at our preset page.
System Requirements
Pentium II 450 MHz or higher, 64 MB RAM, and Windows XP, Vista or x64
Macintosh G4 or G5 OS X 10.3.9 or later
Combatible plug-in host application (Pro Tools 6.4+ (RTAS/AudioSuite/HTDM), VST, MAS, Audio Unit and DirectX)
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